The First step is to do a Sequence Export that Matches the Sequence settings. This will be your VIDEO file that you will combine with your surround sound mix. |  |
| Go to >Sequence>Sequence Settings |
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Sequence Settings most common: Look at the Timecode - should be 23.976 or 24 Frame size should be 4096 x 2160 or 3840 x 2160 or or 2048 x 1152 Working Color Space REC 709 NOTE WHAT ASPECT RATIO OF THE SEQUENCE |
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| Export it go to >File>Export>Media |
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Select the final timeline you want to export and choose >File>Export>Media |
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Name your file Choose Format > DNxHR/DNxHD MXF OP1a Video Codec DNxHR HQ 8-bit |
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Then choose the frame size of your tmeline >4K >UHD >Full HD Depending what your timeline is set to.aspect ratio |
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Frame Rate should be 23.98 |
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>Click on the Output Name Title it and choose where you want to save the file by clicking on Location |
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| Choose the destination for the file Save it to your storage drive etc. . . |
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Click on Export When that is finished you are going to re import that file back into Premiere  in the lower right corner |
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The file will export for a bit so wait for that. In the meantime locate your Sound Mix files. The sound mixer should of exported a Surround Interleaved 5.1 .wav file |
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The file should look similar to this 5_1.wav file Don't want the ones labeled Stem they are not the full mix |
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We suggest making a new Bin to put the final files into for organization >File>New>Bin |
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Title the bin >Final Deliverables or similar then open the Bin to import the image and sound files into |
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Import the 5.1 Interleaved File into your Premiere Project  RT click in the new bin and choose Import |
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Select the file and import |
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Import the Video File you just exported that matched the Sequence Settings  Choose only the .mxf that exported there will also be a .xmp but you can ignore that |
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Click on the New Item and choose Sequence |
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Choose Sequence |
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Choose DNxHR HQ 2K 23.976 |
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Click on the Settings TAB Editing Mode - Choose Custom 1998 x 1080 settings for FLAT DCP's or 2048 x 858 for SCOPE DCP's If you do not know if your film is flat or scope?? Do you have bars on the top and bottom of your image to make it look wide screen? Then your film is scope. If you do not have bars then it's flat. Still confused? Ask tech staff to help. DONT' HIT OKAY YET |
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Go to the Video Previews |
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Change the Codec to Apple ProRes 4444 |
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DCP – Settings - Double check to make sure this all looks correct
Video Previews need to match these settings as well Preview File Format to QuickTime
Then click on Reset and that will change the Width and Height to match Video Custom Settings. DONT' HIT OKAY YET |
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CLICK ON THE TRACKS TAB NEXT Click on the Tracks Tab and then delete the audio tracks DONT' HIT OKAY YET |
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Output Chanels
Set Video to 1 track |
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Change the Track Type of the one audio track to 5.1 |
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Title the sequence and click OK |
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Double click the video 2K or 4K file to load it into the source monitor Drag the Video Only icon to your newly created timeline |
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| Choose to Keep existing settings |
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Then load the sound mix (5.1 Interleaved) file into the source monitor and drag the audio only tracks to the timeline Place on the 5.1 track in the new sequence you just made |
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YOU will be only able to check audio tracks 1 and 2 so you won't hear dialog but hopefully you can tell well enough.The final check will be the QuickTime you will make next.REMEMBERDELETE THE 2 POP AT THE BEGINNING AND AT THE END |
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| Click Scaling YOU WILL HAVE TO SCALE YOUR FILE Click on the Effects tab  Double click on your video file in the timeline |  | |||
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Drop down the Motion setting and on scale select that parameter  Drag the slider to scale the image in the frame Scale the image down to 50% or until you see black around the frame then scale it up till you don't see any black |
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Don't want to see this small black edge around your image Donimage Scale till you don't want thissee any black line
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| No black line this is what you want
|  on the right or left side Flat DCP may choose to leave a slight letterbox on the top and bottom that is up to you Scope DCP will have letterboxing on the top and bottom Next step is to export |
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Make sure the sequence is loaded in the Timeline Window and then select the timeline window so it's Highlighted Blue |
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Go to >File >Export>Media |
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| Choose Format QuickTime |
| Choose to Export Video and Export Audio | ||
Click on the Video tab and choose the Video Codec as Apple ProRes 4444 |
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| Click on Output Name - and choose where you want to save the file. DONT' CLICK EXPORT YET File Name - Title of the movie Location choose where you are going to save the file Preset - Custom Choose Format QuickTime |
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| Video Codec Choose Apple ProRes 422 HQ |
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| Everything else will be greyed out but Match Source will set the export to match the timeline |
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Click on Audio tab and choose |
Audio Codec - Uncompressed
Sample Rate 48
Sample Size 24
>Sample Size >48 Then choose More |
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| Stream 1 > Output Channels > Select an Option |
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| Choose 5.1 L,R,C, LFE, Ls, Rs |
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Choose |
http://blogs.saic.edu/fvnmatech/2016/06/27/creating-a-master-file-for-5-1-surround-sound-dcp/
But if you follow this workflow, your mix will be wrong. Aren't you glad your attending UT.
>Entire Source >Check the Output settings so they match Video QuickTime 1998 x 1980 23.976 for flat Audio Uncompressed 48 5.1 L,R.C.LFE. Ls, Rs 24 bit |
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>Check the Output settings so they match Video QuickTime 2048 x 858 23.976 for scope Audio Uncompressed 48 5.1 L,R.C.LFE. Ls, Rs 24 bit |
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| Then choose Export |
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