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Table of Contents

Overview

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1. Choose a Recording Method & Record your Audio

Fast & Easy: Use CMA 4.140 Voice Booth

 

cma_4140_2013_01Image Modified

This is the fastest method and requires no setup time. Refer Instructions: How to record audio in the CMA 4.140 Radio Room

Note that microphones in the voice booth have light (radio DJ-style) compression and EQ applied to them which may not meet your research objectives.

Student proctors are available most hours to provide assistance. Room can be reserved online.

Highest Fidelity in any location: Check out mic & recorder

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Listen to Sample

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This method requires more effort since you have to check out and set up equipment but it allows you to record anywhere and at any time.

Highest Fidelity near your computer: Check out USB Mic

illustration USB mic > Laptop

This method tethers you to your computer for recording, but produces very high fidelity

2. Edit & Export Audio Files

Audio will be recorded as a single (or a very few) long take.

Any necessary processing will be applied uniformly to all samples.

Using markers to identify start & stop points in the long take, audio will be exported as individual files.

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Option A: Record your Audio in CMA 4.140 Voice Booth

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Skip this section if you are going to check out recording equipment

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When presented options for New Audio File settings, choose:

Sample Rate: 44100 Hz

Channels: Stereo

Bit Depth: 16

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When presented options for export format, choose .WAV.

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Save your files to a fileserver location, USB stick, or portable harddrive.

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Option B: Check out

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Studio Mic & Field Recorder to Record your Audio

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Adjust Mic Menu Settings

From the main menu's submenu list, turn the DATA dial to select "MIC" then press the DATA dial to select this submenu.

  • Set MS Mode 1/2: Off
  • Set MS Mode 3/4: Off
  • Set Phantom Voltage: 48v

Changing the Phantom Voltage from 24v to 48v will prompt you to confirm the change. Once confirmed, the recorder will ask you separately to confirm that phantom should be sent to any of the 4 channels which previously had phantom engaged so you might see a screen like this as many as 4 times upon starting the recorder.

When prompted, phantom SHOULD be engaged for Ch 1. The remaining channels don't matter for this workflow.

Note that technically, the AKG studio microphone will work with 24v or 48v phantom power. 48v is preferred as it will provide slightly improved dynamic range and better SPL capacity. This shouldn't matter for recording voice, but would if you were recording drums or explosions.

Press Menu to return to the submenu list.

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Adjust & Test Microphone

Set the bass cut switch to rolled-off and the pad to 0dB

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The front of the mic is the side with the AKG logo. Place your mouth about 5 inches from the front of the mic and speak into it.

NEVER BLOW INTO THE MIC - you can destroy the element!

To help reduce plosives (breath pops from "P's" & "Th's" in your speech), try speaking slightly across the front of the mic rather than directly into the front element.

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Adjust Levels

Watch the levels on the recorder and adjust the Ch 1 knob. Try to get the levels to average around the mark which is under the "C" in TASCAM.

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Adjust Headphones

Put on your headphones and adjust the headphone volume (#31 at right) to a comfortable volume.

It is important that you use the headphones the entire time you are recording to ensure everything is working properly.

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Record your audio

Press the REC button to begin recording.

Confirm that the REC light is lit and that the recording time is progressing when recording.

Press the REC button again to stop recording. Press it again to begin a new recording in a new file.

 

It is best to record long sessions into a few files rather than repeatedly starting & stopping the recording. Storage space is cheap – just let the recorder run. This will make editing easier and makes it less likely that you fail to remember to restart the recorder.

Watch your levels. If you see the meter hit the right of the meter or you see the PEAK light flashing, turn down the Ch 1 gain knob and start your recording over.

Don't be afraid to leave yourself verbal notes like "that was pretty good, but I'm going to try it again a little bit faster".  

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Back up your data

After you are finished recording, copy your files to a fileserver location, USB stick, or portable harddrive.

Connect the recorder to your computer. The recorder will present this USB select screen asking you want to use the USB connection for power or data storage:

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Since we want to use it to transfer files, turn the DATA dial (# 6 at right) to select "STORAGE" then press the DATA dial to select it.

Click the DR-70D drive on your computer screen and then navigate to the Music folder. Copy the files from this folder to your backup destination.

If you see identically sized files suffixed with 12 and 34, you only need to copy the file which ends with 12 (the recording from inputs 1 & 2). The other file is a recording from inputs 3 & 4 and in this workflow does not contain any audio.  

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Skip this section if you are going to record in CMA 4.140 Voice Booth.

Checkout Equipment

Check out the following equipment from CMA 3.104 equipment checkout:

  • Microphone Stand
  • AKG Perception 200 Studio Mic Kit (includes shockmount, windscreen)
  • Tascam DR-70D Field Recorder Kit (includes headphones, recorder, (4) rechargeable AA batteries, media card, power supply)
  • 10' XLR microphone cable
 
Equipment checkout reservations can be made online here: http://checkout.communication.utexas.eduImage Removed 

 

Set up Equipment

Insert media card on rear of Tascam DR-70D recorder (#4 at right).

For this workflow, it is recommended that you use the USB power supply and do not use batteries so you don't have to worry about battery life. If you must use batteries, insert them on the rear of the recorder.

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On left side of the Tascam DR-70D, connect the USB power supply to the recorder (#25 at right). 

Connect headphones to the recorder (#30 at right).

 

 

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On the right side of the recorder, connect the XLR mic cable to input 1 (#21 at right).

 

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Set up microphone stand.

Mount microphone spider suspension mount to stand.

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Mount microphone to suspension.

Set the mic into the suspension.

Continue to hold the microphone while screwing the mounting ring into the bottom of the mic.

 

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Connect XLR cable to microphone.

Install pop filter on microphone.

 

 

Configure Tascam DR-70D Recorder

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Turn on Recorder

On the right side of the recorder, slide the Image Removed (#20 at right) toward Image Removed until the start-up screen appears.

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To turn the unit off, slide the Image Removed (#20 at right) toward Image Removed until the recorder powers down.

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If you are using the USB power supply, the recorder will present this USB select screen asking you want to use the USB connection for power or data storage:

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Since we're using it for power, turn the DATA dial (# 6 at right) to select "BUS POWER" then press the DATA dial to select it.

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If the recorder has been stored without batteries, it may prompt you for the date & time.

 

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If the SD card is new or has been formatted for another device, the recorder may display an error message upon startup.

Press the DATA dial to start formatting.

Remember, formatting will erase all data on the card. If this is a card that you've previously used in your digital camera, etc, be sure you have a backup before you format it.

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The AKG studio microphone requires phantom power in order to operate.

If the Tascam DR-70D recorder previously had phantom power engaged, upon startup the recorder will prompt you if you still wish it to be turned on.

Press the DATA dial to confirm yes, phantom power should be engaged.

Note that the recorder will ask you separately for any of the 4 channels which previously had phantom engaged so you might see a screen like this as many as 4 times upon starting the recorder.

 

 

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Adjust Basic Menu Settings

Press Menu then turn the DATA dial to select "BASIC" then press the DATA dial to select this submenu.

Set Ch 1 as follows:

  • Record: On
  • Pan: Center
  • Gain: Mid
  • Input 1/2: XLR/TRS

The Ch 2 - 4 settings don't matter for this workflow since we aren't using those inputs.

Press Menu to return to the submenu list.

 

note: if you see Wide instead of Pan in this menu, turn off MS Mode 1/2 in the "MIC" submenu.

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Adjust Monitor Menu Settings

From the main menu's submenu list, turn the DATA dial to select "MONITOR" then press the DATA dial to select this submenu.

  • Set MONITOR SEL to MIX.

The remaining options on this menu don't matter for this workflow.

Press Menu to return to the submenu list.

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Adjust Input Menu Settings

From the main menu's submenu list, turn the DATA dial to select "INPUT" then press the DATA dial to select this submenu.

Set Ch 1 as follows:

  • Input Gain: Mic + Phantom
  • Limiter: Off
  • LowCut: Off
  • Delay: Ref
  • Phase: Off

The Ch 2 - 4 settings don't matter for this workflow since we aren't using those inputs.

 

Setting the input gain option to Mic+Phantom is an odd user experience. When you press the DATA dial to select Input Gain, you have 3 choices:

  • Line
  • Mic
  • Mic + Phantom

The first 2 options (LIne & Mic) behave as you would expect when rolling the DATA dial - rolling the dial changes the text which is displayed. However, when you roll the DATA dial to the 3rd option, prior to seeing any text, the screen immediately pops up a warning page confirming that you want to turn on Phantom power. Since you never saw the text "Mic + Phantom" appear as an option, this popup can be confusing.

When in the Input Menu, the proper method of setting Input Gain to "Mic + Phantom" is to press the DATA dial to select Input Gain, then roll the DATA dial clockwise several clicks until the "Ch1 Phantom On" popup appears. Press the DATA dial to confirm that yes, phantom power should be on. Upon confirming Yes, you will be returned to the Input Menu.

 

Press Menu to return to the submenu list.

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Adjust Record Menu Settings

From the main menu's submenu list, turn the DATA dial to select "RECORD" then press the DATA dial to select this submenu.

  • Set File Type: Stereo
  • Set Format: WAV 16bit
  • Set Sample Rate: 44.1k
  • Set Dual Rec: Off

While you may be tempted to set the recording quality to the highest possible settings, such resolution is not typically required for this workflow. These settings are "CD quality" which is acceptable for most needs, keeps file sizes relatively small, and guarantees compatibility with all research software with which these files may be used.

Press Menu to return to the submenu list.

At CD quality, a stereo recording consumes about 600 MB (.6 TB) per hour. Below are the storage capacities for the Tascam DR-70D recorder (CD quality is highlighted in yellow):

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Option C: Check out USB Studio Mic to Record your Audio to your comptuer

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Skip this section if you are going to record in CMA 4.140 Voice Booth.


Refer to Instructions: xxxxx



Edit your Audio

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This workflow identifies how to edit your audio using Adobe Audition or Audacity. Both of these programs are available on most PC & Mac lab workstations in the Moody College of Communication. If you wish to edit using your own computer, Audacity is the more cost effective solution as it is free, open-source software.

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Adobe AuditionAudacity

Collect your audio files for your project into 1 folder.

To access the audiology library, navigate to: L:\Classmedia\CSD_Audiology. Copy the files you need from the library to your experiment sub-folder. This will ensure that your experiment is portable and will be playable at offsite locations.

To make your research project easily portable, you need to collect all your digital assets into 1 folder. Create a new sub-folder for your experiment in your research folder on fileserver (refer Using the COMM Shares Server) (if you need a new research folder on fileserver, refer Moody College File Server and Shares).

Your new sub-folder will hold a variety of files including the audio files (typically .WAV, .MP3, or .FLAC extension) as well as the Multi-track Session file (.SES or SESX extension). The session file doesn't contain any audio data – only pointers and instructions to the audio files.

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If you have lots of digital assets, feel free to organize using subfolders.

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Open your file(s).

Navigate to the folder containing your audio files.

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Adobe Audition is an audio editing tool which has 2 views: waveform (aka stereo editor) & multi-track.

 When Audition is opened initially, you will see the stereo view.

To switch between wafeform and multi-track views, click the appropriate button in the top left.

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Switch to the waveform view then click File > Open. Navigate to the folder containing your audio files, select them, and choose Open.

Click File > Open. Navigate to the folder containing your audio files, select them, and choose Open.

If prompted, choose to import via Copy.

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Save Project

Switch to the Multitrack view.

When prompted to make a new Multitrack Session, Type a name, navigate to the folder containing your audio files, set Sampe Rate to 44100 Hz, Set Bit Depth to 16 bits, Set Master to Stereo.

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File > Save Project

Navigate to your project folder, type a name for your project, then click Save.

Copy Left Channel to Right Channel

Switch to the Waveform view.

Toggle off the Right Channel using the Channel Toggle Buttons

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Click Edit > Select > Select All (CTRL-A).

Click Edit > Copy (CTRL-C)

Toggle the Left Channel off and the Right Channel On using the Channel Toggle Buttons.

Click Edit > Paste (CTRL-V) to paste the content from the Left Channel to the Right Channel.

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Toggle the Left Channel On

Click the down arrow next to the track name then choose "Split Stereo to Mono"

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Click to the right of the end of your recording in Track 1. Drag to the left to select all the audio on that track.

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Click Edit > Copy.

Click anywhere to the right again, this time in Track 2.

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Click Edit > Paste.

Click the down arrow next to the track name of Track 1 then choose "Make Stereo Track"

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Keep Wanted Portions

Switch to the Waveform view.

 Click & drag to highlight a wanted section of the recording. Right-Click > Insert Into Multitrack > (your session name)

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Your view will automatically switch to the multitrack.

Click on a clip in the multitrack to select it. Right-Click > Rename to assign a name to the clip.

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Delete unwanted portions

Switch to the multitrack view. Ensure the Move tool is selected.

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Position the cursor over the left or right edge of the clip. The edge‑dragging icon Image Modified appears. Click & drag to adjust the edges of a clip.

Pro-Tip: use CTRL-MouseWheel to zoom in and out of the mouse pointer's postion.

Click & drag to highlight unwanted section.

Pro-Tip: use CTRL-MouseWheel to zoom in and out of the mouse pointer's postion.

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Press Delete to remove.

Move portions

Switch to the multitrack view. Ensure the Move tool is selected.

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Click on a clip in the multi-track to select it. Left-Click and drag to move it in time or between tracks.

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Click & drag to highlight section. Click Edit > Cut.

Place cursor where the cut section should go. Click Edit > Paste.

Export the Multitrack

Switch to the multitrack view.

 Click File > Export > Multitrack Mixdown > Entire Session

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Type a name for your mixdown.

Set the folder path to your project folder.

Set the format to .WAV.

Set the sample type to Same as Source.

Set the Format Settings to Wave Uncompressed, 16-bit Integer

Ensure Include Markers & Other metadata is selected

Ensure Open files after export is selected.

Click OK.

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Normalize the entire timeline

Switch to the Waveform view.

If it isn't open, open the mixdown you just created.

Click Edit > Select > Select All (CTRL-A).

Click Effects > Amplitude & Compression > Normalize

Normalize to -1dB

Normalize all channels equally

Choose to adjust DC Bias to 0%

Click Apply.

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Click Effect > Normalize.

Choose to Remove DC offset

Normalize to -1dB

Do not normalize stereo channels independently.

Click OK

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Export/Save the edited masterClick File > Save

Click File > Export Audio

Navigate to your project folder, type a new name for your final edited file (for example Edited Master.WAV), then click Save.

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Optional: Set Markers & Export to Separate Files

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After your long audio file is edited, you may wish to export it as many separate files (for example, 1 file per word or 1 file per sentence).

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Adobe AuditionAudacity
Set Markers

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Switch to the waveform view. Open your exported multitrack file.

Click to place your cursor at the beginning of a segment which should ultimately be a new file.

Pro-Tip: use CTRL-MouseWheel to zoom in and out of the mouse pointer's postion.

Pro-Tip: click & drag the Blue indicator at the top of the cursor line to scrub audio back & forth

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Select the Markers Tab. Click the New Marker Button Image Modified or type "M" to create a marker.

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Double-click the newly-created marker in the Markers Tab to rename it.

Pro-Tip: There is no option to number your files on export so if you need the output files to be in a particular order which isn't alphabetical, be sure to number them in the marker names (ex: 1-Circus, 2-Diadem, 3-Apple).

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Click Tracks > Add New > Label Track

Click to place your cursor at the beginning of a segment which should ultimately be a new file.

Pro-Tip: use CTRL-MouseWheel to zoom in and out of the mouse pointer's postion.

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Click Tracks > Add Label at Selection (or press CTRL-B). Type a name for the Label and press Enter

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Continue adding Labels for each segment which should be a new file.

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Set End Marker & Merge Markers

Place a marker at the end of the last section. Name this marker END.

Click on the first marker in the Markers Tab. Shift-Click on the last marker in the Markers Tab. Then click the "Merge Selected Markers" button Image Modified

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Export Files

Click File > Export > Audio Within Range Markers...

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Choose to use marker names in filenames.

Set the folder path to your project folder.

Set the format to .WAV.

Set the sample type to 44100 Hz, Stereo, 16-bit.

Set the Format Settings to Wave Uncompressed, 16-bit Integer

Click Export.

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Once all the labels are added, click File > Export Multiple. Set the folder path to your project folder.

Pro-Tip: create a new folder inside your project folder called "EXPORTS".

Choose to split files based on Labels. If you have a label prior to the first section of audio, you don't need to include audio before first label. Choose to name files based upon Label Name.

Pro-Tip: If the files need to stay in order after export, choose to name files based upon Numbering before Label Name.

Click Export.

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  reviewed 10/9/17 - Cox