Versions Compared

Version Old Version 6 New Version Current
Changes made by

Susanne Kraft

Susanne Kraft

Saved on

Key

  • This line was added.
  • This line was removed.
  • Formatting was changed.


Launch

the ISIS Client Manager and mount your AVID ISIS volume if you have one. Or make sure your hard drives are connected with the Sony F5 footage loaded on them.

Image Removed

Launch AVID

Image Removed

AVID

Image Added

In the AVID Select Project Window choose the Folder Icon to select the destination to store your new project.

Image Modified

Navigate to the location you would like to save your project and select "Open"

Image Modified

Select "New Project"

Image Removed

Image Added

Choose a name for your project>

Format Choose HD

1080>1080P/23.976Image Removed

2K>2048 24

Image Added

Go to

>File>Link to MediaImage Removed

>File>Input>Source Browser

Image Added

Navigate to the

files that contain your Gemini footage and any other clips that you would like to bring into your project.
Leave the plug in at "Autodetect" Choose "Open"

Image Removed

Leave at the default setting "Bin Based on Current AMA Setting"
Click OK – Depending on how many Bins that contain footage you may have to Click OK on this "Dialog Box" a few times.
Just Keep Clicking OK

Image Removed

Right Click on the Grey Bar at the top of the Bin and "Choose Columns"

Image Removed

Choose the following at least>
Color Transformation – to see the LUT that AVID will auto select
Format, FPS,

Image Removed

Choose Reformat to see what AVID will do when it shows the file in 1080.
Source Path is good so you can make sure your project is AMA linking to all your cards.

Image Removed

Choose Video
Click OK

Image Removed

The columns will appear in the bin

Image Removed

To look at the LUT that AVID automatically chooses to apply to your files right click the clip and choose "Source Settings"

Image Removed

The LUT Levels Scaling (video levels to full range) is probably the most accurate but you can import LUTS using the Color Management Settings and or loading templates from the drop down
Image Removed

Image Removed

folder that contains your .dpx files 





Then Choose Link


THIS PROCESS TAKES A WHILE TO LOAD!! BE PATIENT THE FILES WILL LOAD INTO YOUR BIN.

Image Added

The .dpx files will load sequentially and create a Master Clip in the bin


Link to all the .dpx folders to load all the footage you have

Image Added

Select the AMA linked Clips in the bin and choose "Consolidate/Transcode"

Image Removed

Image Added

Choose Transcode>


Choose the Raster Dimensions as "Source dimensions"




Choose to Keep source's
frame rate

Target Video Resolution
DNXHR LB MXF

Scaling Quality is Half (Best Quality)
Choose to use the color encoding so that your footage does not look flat and dull. The color encoding is only applied to the transcoded files. Your source files are not affected.




Select Convert Audio to 48 24

Choose "Transcode"

Image Removed

Image Added

The Resulting clips will have the following settings.
DNxHR LB is the codec and the clip Raster Dimensions should be your Projects Aspect Ratio

1920

2048 x

1080

1152

Image Removed

Image Added

Move all the transcoded files to their own bin and close the bin with the

AMA NOTE THIS IS THE OFFLINE PROJECT SETUP - YOU WILL NEED TO READ THIS WIKI FOR RELINKING TO THE "UNCOMPRESSED" FILES FOR FINAL CONFORMAVID – Relinking to Native files for export to

linked files bin because we will use that bin when we do the final conform to the "Native" files.

The next step is to organize the files by shoot day then use this
wiki to sync the footage.
https://wikis.utexas.edu/display/comm/AVID+-+Syncing+Audio

Refer to this wiki workflow for the rest of the post workflow steps

Recommended Post Production Workflow - AVID, Premiere and Davinci Resolve