How-to's and FAQs
- Jacqueline Re Wilcoxon
- Charles Soto
Owned by Jacqueline Re Wilcoxon
Adobe Suite
- Adobe After Effects
- Adobe After Effects - How to remove Pulldown
- After Effects – Timewarp Effect Workflow to Create Quality Slow Motion Video
- After Effects - Converting 23_98 QuickTimes to 29_97
- After Effects - Importing Sequential Stills into a Composition
- After Effects - Scrolling Credits
- After Effects - Network Rendering using Multiple Computers
- Adobe Audition - Audio Troubleshooting in Audition
- Adobe Bridge - Batch Convert file names or extensions
- Adobe Media Encoder
- Adobe Encoder - Vimeo HD Encoding
- Adobe Media Encoder - H264 Encoding - How to Make an .h264 .mp4 file
- Adobe Encoder - Vimeo SD Encoding
- Adobe Media Encoder - Creating a H264 file for Blu Ray
- Adobe Media Encoder - How to convert a file from .mov to DNxHD .mxf
- Media Encoder - How to Convert ClipGrab Audio Files to DNxHR/DNxHD .mxf or Audio .wav
- Adobe Media Encoder - How to Convert a Surround .mxf to 1080 ProRes QuickTime
- Adobe Indesign - How to export a .pdf from InDesign
- Adobe Photoshop
- Adobe Premiere Pro
- Adobe - RTF 304 - Step By Step Post Production Workflow
- Adobe Premiere - Color Correction Workflow for 2K and 4K Slog3 footage (Sony F5) or similar
- Adobe Premiere - How to Export a Surround Sound QuickTime Using 6 separate files Left, Right, Center, Lfe, Ls, Rs
- Adobe Premiere Pro - .aaf Audio and QuickTime Export for ProTools Mix
- Adobe Premiere Pro - .omf Audio and QuickTime Export for ProTools Mix
- Adobe Premiere Pro - Apple ProRes Export Workflow
- Adobe Premiere - How to Merge Image and Sound Files - AutoSync Using Timecode
- Adobe Premiere - How to Merge Image and Sound Files - AutoSync Double System Audio
- Adobe Premiere Pro CC - How to Revert Project Version to Use in Older Versions of Premiere Pro
- Adobe Premiere - Merging Audio with Waveforms
- Adobe Premiere Pro CC - Create a Backup of your Project Using the Project Manager - Consolidate Files
- Adobe Premiere Pro - How to Reconnect or Relink Offline Media
- Adobe Premiere Pro - How to Route Video To the Flat Screen Monitors
- Adobe Premiere Pro - How to Import Audio
- Adobe Premiere Pro - Project Export to DaVinci Resolve
- Adobe Premiere Pro - How To Create Subclips
- Adobe Premiere Pro - Export a still image from a frame of video
- Adobe Premiere Pro - How to Make a 2K or 4K - 5.1 QuickTime using your Surround Sound Mix - Use for DCP Screening
- Adobe Premiere Pro - How to Make a 5.1 HD 1920 x 1080 QuickTime using your Surround Sound Mix
- Adobe Premiere - Set Audio Tracks Prior to Editing
- Adobe Premiere Pro - Creating Title Clip
- Adobe Premiere Pro - Editing in Premiere
- Adobe Premiere Pro - Export a still frame from Premiere
- Adobe Premiere Pro - Importing Stills into Adobe Premiere Pro
- Adobe Premiere Pro - Pan and Zoom Effect
- Adobe Premiere Pro - Adjusting Audio and Pan with Keyframing
- Adobe Premiere Pro - How to Make a 1920 x 1080 Apple ProRes Stereo- QuickTime using your Stereo Sound Mix - Use this for End of Semester Screenings
- Adobe Premiere - How to Work with Panasonic - CX350 Files
- Adobe Premiere Pro - Focusrite RED4Pre - Surround Sound Monitoring - Grad Suite CMB 4.112A
- Adobe Premiere Pro - Canon XC15 - Quick Start Guide and Post Workflow
- Adobe Premiere Pro - Export Audio for Finishing in Davinci Resolve
- Adobe Premiere Pro - How to Auto Transcribe and Caption
- Adobe Premiere Pro - How to Export a H.264 QuickTime
- Adobe Premiere Pro - How to import an .aaf and mediafiles from AVID (same workflow for .xml too)
- Adobe Premiere Pro - How to Make a 1080 - 5.1 QuickTime using your Surround Sound Mix
- Adobe Premiere Pro - Auto Caption - AVID Exported File
- Adobe – Premiere – Windows ProRes Exporting Workflow
- Adobe Premiere Pro - Make and work with Proxies in Premiere
- Edit 4K Natively in Premiere
- Adobe Premiere Pro - Importing .srt file to use for Captioning
- Adobe Premiere Pro - Get Started Using Premiere - Project Setup
- RTF 318 Student Adobe Premiere settings - Project Setup
- Adobe Premiere Pro - Iphone HDR footage to avoid Exporting Overexposed or Blown Out - Footage
- Adobe Premiere Pro - How to set your sequence settings for IPhone HDR footage
- Adobe Apps Including Premiere Pro - How to Download from Creative Cloud and Install
- Adobe Premiere Pro - How to Make a .h264 / .Mp4 using your Surround Sound Mix
- Adobe Premiere Pro - Framerate Playback Conversion (60fps to 23.98fps) (Slow Motion)
- Adobe Premiere Pro - How to Import Stereo Audio From Sound Mix
- COM - 317 SportsMedia - Project One Setup
- Adobe Animate - Unable to Export Video/Media
Recording Video with a Phone
Camera Platforms
- A7Sii Workflows
- Shoot in HD and work in Avid/Premiere in HD
- Overcrank, Transcode with After Effects, edit with Avid
- Sony A7S II - CAMERA SETUP
- Sony A7S II - CAMERA SETUP AND ATOMOS NINJA FLAME 4K WORKFLOW
- AVID - Sony A7S II - Post-Production Workflow - Using Ninja Flame Recorded ProRes 4K Files
- Use Resolve to create 4K Avid Media from unsupported media
- Insta360 One
- Samsung Gear 360
- RTF Blackmagic Pocket 6K Cinema Camera - and AVID Post Production Workflow
- Canon - Canon XC15
Audio-Video Post-Production
- Post Production Workflow - Adobe Premiere, AVID Media Composer First and Ultimate Versions
- Common Video Resolutions
- Avid
- Media Composer
- AVID Media Composer First
- AVID - Audio Output Tool
- AVID - Consolidate
- AVID - Decompose Tool
- AVID - Display Error
- AVID - Easy Image Resizing also called Pan and Scan Effect
- AVID - Export an Apple ProRes Quicktime - Use this Workflow for End of Semester Screenings
- AVID - How to Relink Matching Imported Clips from Another Project That Were Imported
- AVID - AAF and QuickTime Export for After Effects
- AVID - How to Import Audio Files Into AVID Project
- AVID - How to use the Mixer tool and Keyframes
- AVID - Keyframing Audio Volume in AVID
- AVID - Media Creation Tool
- AVID - How to Make a Sub Clip
- AVID - Syncing Video and Audio using Mark In Points and AutoSync
- AVID - How to Copy Project files and Media from Classmedia Volume to Hard Drive
- AVID - Automatic Color Correction
- AVID - RED Linking and Transcoding workflow for Creating Offline Edit Project
- AVID - Export a Native Quicktime
- AVID - Multicam Project workflow - How to Setup AVID to use Multicamera Mode Editing Workflow
- Titler +
- AVID - EQ Audio Using AVID Audio Suite EQ Plugins
- AVID - How to Make a 1080 Surround Sound QuickTime Using Your Interleaved Surround Sound Mix
- AVID - How to Make a 1080 5.1 Surround Sound QuickTime Using Your Interleaved Surround Sound Mix
- AVID - Audio Mixdown - Use This Workflow When Having Trouble Exporting
- AVID - How to Import Captioning Text and Use the Subcap Tool
- AVID - Media Composer Ultimate - Licensing Cleanout
- AVID - How to Online, Relink, Upconverted Files Shot at a Different Frame Rate than the Project Frame Rate
- AVID Media Composer 101 and 110 2021 updated addenda
- AVID - Media Composer 101 Book Media Download From EditStock Website
- AVID Media Composer - Frame Flex - Spacial or Green Dot Fix
- AVID – How To Export an .aaf and QuickTime export to Davinci Resolve After Relinking to 2K or 4K Camera Originals
- AVID Media Composer - How to Remove a Automatically Applied LUT or Look Up Table
- AVID - Audio Troubleshooting Can't Hear Audio Playback CMB 4.112 and CMB 4.120
- AVID - How to Disable Phonetic Indexing
- AVID - Captions - How to Export Out of SubCap Tool
- AVID - Syncing Video and Audio With Matching Timecode
- Pro Tools
- Pro Tools - How to Record Foley Sound or ADR "Automated" Dialog Replacement in CMB 4.122
- How to measure Audio Visual Sync offset
- How to turn on the Crestron Surround Sound for a ProTools Mix CMB 4.122 4C
- Mixing Prep for ProTools Mix - Audio Mixing Preparation and Information
- Pro Tools - Adding and Using Reverb
- Pro Tools - ASIO Driver Install For Windows ProTools Computers PC
- Pro Tools - Audio Monitoring Setup in CMB 4.120 Undergrad Edit Lab
- Pro Tools - Audio Record Volume Error Fix
- Pro Tools - AVID - How to Connect the AVID Artist Interface
- Pro Tools - Basic editing with ProTools07
- Pro Tools - Bounce an Audio File in ProTools
- Pro Tools - Change sample rate
- Pro Tools - Client Seat Stereo Setup ProTools 2018
- Pro Tools - CMB 1st Floor Edit Suites How to set up Monitoring and Video playback
- Pro Tools - CMB 1st Floor Edit Suites How to set up Monitoring and Video playback 1.106A
- Pro Tools - Create 5.1 Surround interleaved wave audio file from mono files in ProTools
- Pro Tools - Creating a Click Track or Also called beeps and countdown to recording
- Pro Tools - Crestron HDMI Audio Playback Setup For Teaching Stations
- Pro Tools - Export .omf and AVID - Importing ProTools OMF files
- Pro Tools - Final Film Mixes Calendar
- Pro Tools - Focusrite RED4Pre Surround Sound setup
- Pro Tools - Focusrite RED4Pre Surround Sound setup CMB 4.112A and CMB 4.112B
- Pro Tools - Focusrite RED4Pre Surround Sound setup CMB 4.122 Studio 4C
- Pro Tools - Getting Started in PT LE
- Pro Tools - HDMI 5.1 Surround setup Crestron Studios and Classrooms
- Pro Tools - How to Activate
- Pro Tools - How to Create a Test Tone
- Pro Tools - How to Create and Account and Redeem Software Code
- Pro Tools - How to License the 30 day trial
- Pro Tools - How to PullUp or PullDown audio files captured with a hard disk recorder
- Pro Tools - How to Record Foley Sound or ADR "Automated" Dialog Replacement in CMB 4.112 A and B
- Pro Tools - How to Record Sound or ADR "Automated" Dialog Replacement or Voice Over in CMB 1.106B
- Pro Tools - How to Remove "RUMBLE" from CMB 1.106B Isolation booth recordings
- Pro Tools - How to Route Track Outputs
- Pro Tools - How to Save Session as Copy by Consolidating Files
- Pro Tools - How to Setup 881KB Mixes in Studios
- Pro Tools - How to setup the Mac Computer Desktop for Audio Monitoring
- Pro Tools - How to use a Zoom H4 Audio Recorder as a Microphone input
- Pro Tools - Izotope How to Authorize Izotope to Personal Computer
- Pro Tools - IZotope How to Load Plugin Presets
- Pro Tools - Izotope RX8 How to Authorize Izotope to Personal Computer
- Pro Tools - Microphone Setup Neumann U87, TLM 103 and Audio Technica 4050 or 4033
- Pro Tools - Open a .aaf or .omf and Quicktime in ProTools
- Pro Tools - Preparing Project for Audio Mixing
- Pro Tools - Printmaster workflow
- Pro Tools - Pull Down Audio Files Capture with Hard Disk Recorder
- Pro Tools - Pull Down Audio Files captures with a hard disk recorder
- Pro Tools - Relinking Audio Files in ProTools
- Pro Tools - RODECaster Pro Audio Recording Workflow
- Pro Tools - Save Session as a Copy
- Pro Tools - Searching for Sound Effects Workflow
- Pro Tools - Session with Machine Control
- Pro Tools - Setup for Sound Check Session
- Pro Tools - Shortcuts to Know
- Pro Tools - SurCode Readme - How to use Plugin
- Pro Tools - Surround Sound setup CMB 4.112A and CMB 4.112B
- Pro Tools - Surround Sound setup CMB Studio 4C CMB 4.122
- Pro Tools - What is EQ/Compression/Etc Effects Walkthrough
- Pro Tools Error - Could not create the TCE plug-in's factory default file because the plug-in doesn't support the current sample rate.
- Pro Tools Suite 1.106B - Nagra Set Up
- Pro Tools won't Open - Fix is to Hold Down the "N" Key
- Pro Tools – 1.106B Sound Booth Recording Workflow
- Pro Tools – Recording Workflow CMB 1st Floor
- Pro Tools – HD Suites Surround 5.1 Session Guide with the S3 Console & the PT Control Dock
- ProTools - How to get an IMovie or Final Cut Pro Project to Protools using Resolve
- ProTools - How to Setup the Mixing Stations and Test Calibration Pink Noise Session
- ProTools - Surround Suite Playback Test - Prepare For Surround Re-Recording Session
- ProTools - Video and Audio Monitoring Setup in CMB Grad Suite Edit Labs -
- ProTools - What the other buttons do in the volume control in 5 CMB 1.122
- Sound Effects - How to Access Free Sound FX
- SurCode Plugin Printmaster Workflow Using ProTools 4 CMB4.108A and ProTools 5 CMB 4.122
- Pro Tools - How to Record Foley and or ADR in CMB 2.124 A/B
- Pro Tools - How to Enable the S3 in Pro Tools Ultimate
- AVID - How to create a Freeze Frame
- AVID - How to Import MXF files (originated from Panasonic HVX200_P2)
- AVID - Locked Bins
- AVID - Renaming an AVID Project
- AVID - Simple Trimming, Staying in Sync, Fixing Sync, & Advanced Trim - Slip and Slide
- AVID - Deleting Media Databases
- AVID - Fast Import Apple ProRes .mov to AVID Pro Res .mxf Workflow
- AVID - Importing a SD 4 x 3 DVD into an HD 1920 x 1080 AVID Project
- AVID - AMA Explained
- AVID - Add Source Timecode Burn In to Sequence
- AVID - Export an Apple ProRes QuickTime from AVID ProRes Sequence
- Basic Audio Editing in Avid
- AVID - Project Setup and Workflow for AVCHD video files recorded on the Canon C100, Sony FS100 and the Panasonic HMC150
- RTF 304 - Post Production Workflow - Adobe Premiere, AVID Media Composer First and Ultimate Versions
- AVID - 304 Additional Troubleshooting Links
- AVID - Record Temporary Narration using the AVID Audio Punch In Tool
- AVID - Full Screen Playback on a Secondary Monitor
- AVID to Davinci Resolve - Relinking Red .R3d files for export to Davinci Resolve and Resolve Project Setup
- AVID - Relink DaVinci Resolve Footage that Won't Relink by Changing Tape Name
- AVID- Export a AVID DNxHD 23.98 Quicktime
- AVID - How to Export an AAF and QuickTime To Davinci Resolve 1080 HD workflow
- AVID - Export timeline .AAF and Quicktime To After Effects
- AVID - Canon – XF Utility Compact Flash Card Media Backup Workflow
- AVID - Pan and Scan Effect Using the Pan and Zoom Effect
- AVID - Canon – XF Utility and AVID Project workflow
- AVID – Vimeo Exporting Workflow
- AVID - Importing a Photo or Still Image
- Davinci Resolve Export .aaf to AVID - Color Correction Round Trip opening Color Corrected Files into AVID Workflow
- AVID – Relinking Offline Master Clips
- AVID - Studio 4A 3 Camera Production - Project Setup
- AVID – Canon XF Utility – CF Card Data Repair Workflow
- AVID – Sequence Timeline High Quality Rendering Settings
- AVID - BlackMagic Pocket Cinema Camera Setup
- AVID - 3D - How to Export an Over/Under sequence in AVID as H264
- AVID - 3D - Ingesting Media without Metadata using XDCAM footage and AMA (Avid Media Access) : Example using TD300 camera
- AVID - Stereoscopic - How to AutoSync (Sync) 3D clips
- AVID – How To Export an .aaf and QuickTime export to Davinci Resolve After Relinking to 2K or 4K Native files
- AVID – Audio Import Sound Mix
- AVID – How to covert a timeline or sequence from 23.98 to 24
- AVID - Licensing and Product Upgrades
- AVID - ISIS Client Manager Log In Workflow
- Media Composer
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