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Change from this | ||
To This | ||
Relink to the volume that the raw .r3d or other .movs or uncompressed native files are on. Go to >Tools>Source Browser | ||
Locate the original Native Pro Res .movs QuickTimes | ||
Use the settings "Bins Based on Current AMA Setting" | ||
When ready to online reconnect to the native camera files. | ||
Right click the sequence to relink and choose Relink | ||
Use the standard relinking options after the AMA media has been mounted | ||
If that doesn't work choose | ||
Change the timeline Clip Color to show AMA clips as a different color so you can make sure you are linked to the "Native" ProRes .mov QuickTimes | ||
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Notice in this timeline only part of the clips turned purple. You should have the entire timeline show purple clips so that you know all the clips are relinked. | ||
On AVID timeline, you can -Match Frame>Find Bin>Reveal File to double check the files are relinking back to the original camera native files | ||
Next go to >File>Output>Export to File> | ||
Export as .aaf | ||
Choose where to save the .aaf and title it keeping the .aaf extension. Don't worry what the Export Settings Drop down states. We set the "Options" correctly | ||
The export when finished will look like this | ||
Deliver this folder and the DNxHD quicktime to the colorist or if you are color grading your own project import the .aaf into resolve. |