This wiki builds on the workflow that was followed to create proxies using this Sony F5 Production and Post-Production workflow explained here: |
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When you're done editing and want to Reconnect to the 4K media, uncheck the "Enable proxies" under the "Premiere Pro CC > Preferences > Media..." menu check box |
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To check that the files are being referenced properly to the 4K media you can "right click" on the file in the Project Window and choose "Reveal in Finder" |
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In order to properly "grade" or color correct the footage you must apply a special LUT .cube file to convert the color space from log to Rec.709 or Slog3 Cine. |
Download the Slog LUT Here |
Then after the .zip file downloads unzip it by double clicking |
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This folder contains the file you'll need |
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Select the clip you want to adjust in the timeline |
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Click on the color tab |
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Click on Lumetri Color |
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Click on Input LUT and then click on the drop down |
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Choose Browse |
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Navigate to the folder containing the LUT SonyLookProfiles_SLog3_SGamut3Cine |
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In that folder find the Sony SLog3 profile you'd like to apply. "LC-709" is closest comparable to Rec.709, SLog Cine is slightly different. Try both to determine which is best for the look of your project. |
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Once the LUT is chosen you can either adjust the footage's white balance, tint (warm/cold equivalent to Kelvin values), and various light adjustments inside the Effects panel itself |
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Next click "Color Wheels" section |
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Click on Vignette this will give you the ability to apply and customize a vignette on your footage |
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To explain a Vignette it's a circle that highlights a portion of the image. This is a very common and professional color correction technique. Here is an exaggerated look at a vignette. |
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Same image but with a customized vignette to look more subtle. |
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The controls are intuitive in what they do adjust to what you like. |
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