Moody College of Communication Tech Help Wikis
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How-to's and FAQs
- Additional Equipment Standards for the College of Communication
- Adobe Suite
- Adobe After Effects
- Adobe After Effects - How to remove Pulldown
- After Effects - Converting 23_98 QuickTimes to 29_97
- After Effects - Importing Sequential Stills into a Composition
- After Effects - Network Rendering using Multiple Computers
- After Effects - Scrolling Credits
- After Effects – Timewarp Effect Workflow to Create Quality Slow Motion Video
- Adobe Animate - Unable to Export Video/Media
- Adobe Audition - Audio Troubleshooting in Audition
- Adobe Bridge - Batch Convert file names or extensions
- Adobe Indesign - How to export a .pdf from InDesign
- Adobe Media Encoder
- Adobe Encoder - Vimeo HD Encoding
- Adobe Encoder - Vimeo SD Encoding
- Adobe Media Encoder - Creating a H264 file for Blu Ray
- Adobe Media Encoder - H264 Encoding - How to Make an .h264 .mp4 file
- Adobe Media Encoder - How to convert a file from .mov to DNxHD .mxf
- Adobe Media Encoder - How to Convert a Surround .mxf to 1080 ProRes QuickTime
- Media Encoder - How to Convert ClipGrab Audio Files to DNxHR/DNxHD .mxf or Audio .wav
- Adobe Photoshop
- Adobe Premiere Pro
- Adobe Apps Including Premiere Pro - How to Download from Creative Cloud and Install
- Adobe Premiere - Color Correction Workflow for 2K and 4K Slog3 footage (Sony F5) or similar
- Adobe Premiere - How to Export a Surround Sound QuickTime Using 6 separate files Left, Right, Center, Lfe, Ls, Rs
- Adobe Premiere - How to Merge Image and Sound Files - AutoSync Double System Audio
- Adobe Premiere - How to Merge Image and Sound Files - AutoSync Using Timecode
- Adobe Premiere - How to Work with Panasonic - CX350 Files
- Adobe Premiere - Merging Audio with Waveforms
- Adobe Premiere Pro - .aaf Audio and QuickTime Export for ProTools Mix
- Adobe Premiere Pro - .omf Audio and QuickTime Export for ProTools Mix
- Adobe Premiere Pro - Adjusting Audio and Pan with Keyframing
- Adobe Premiere Pro - Apple ProRes Export Workflow
- Adobe Premiere Pro - Auto Caption - AVID Exported File
- Adobe Premiere Pro - Canon XC15 - Quick Start Guide and Post Workflow
- Adobe Premiere Pro CC - Create a Backup of your Project Using the Project Manager - Consolidate Files
- Adobe Premiere Pro CC - How to Revert Project Version to Use in Older Versions of Premiere Pro
- Adobe Premiere Pro - Creating Title Clip
- Adobe Premiere Pro - Editing in Premiere
- Adobe Premiere Pro - Export a still frame from Premiere
- Adobe Premiere Pro - Export a still image from a frame of video
- Adobe Premiere Pro - Export Audio for Finishing in Davinci Resolve
- Adobe Premiere Pro - Focusrite RED4Pre - Surround Sound Monitoring - Grad Suite CMB 4.112A
- Adobe Premiere Pro - Framerate Playback Conversion (60fps to 23.98fps) (Slow Motion)
- Adobe Premiere Pro - Get Started Using Premiere - Project Setup
- Adobe Premiere Pro - How to Auto Transcribe and Caption
- Adobe Premiere Pro - How To Create Subclips
- Adobe Premiere Pro - How to Export a H.264 QuickTime
- Adobe Premiere Pro - How to import an .aaf and mediafiles from AVID (same workflow for .xml too)
- Adobe Premiere Pro - How to Import Audio
- Adobe Premiere Pro - How to Import Stereo Audio From Sound Mix
- Adobe Premiere Pro - How to Make a .h264 / .Mp4 using your Surround Sound Mix
- Adobe Premiere Pro - How to Make a 1080 - 5.1 QuickTime using your Surround Sound Mix
- Adobe Premiere Pro - How to Make a 1920 x 1080 Apple ProRes Stereo- QuickTime using your Stereo Sound Mix - Use this for End of Semester Screenings
- Adobe Premiere Pro - How to Make a 2K or 4K - 5.1 QuickTime using your Surround Sound Mix - Use for DCP Screening
- Adobe Premiere Pro - How to Make a 5.1 HD 1920 x 1080 QuickTime using your Surround Sound Mix
- Adobe Premiere Pro - How to Reconnect or Relink Offline Media
- Adobe Premiere Pro - How to Route Video To the Flat Screen Monitors
- Adobe Premiere Pro - How to set your sequence settings for IPhone HDR footage
- Adobe Premiere Pro - Importing .srt file to use for Captioning
- Adobe Premiere Pro - Importing Stills into Adobe Premiere Pro
- Adobe Premiere Pro - Iphone HDR footage to avoid Exporting Overexposed or Blown Out - Footage
- Adobe Premiere Pro - Make and work with Proxies in Premiere
- Adobe Premiere Pro - Pan and Zoom Effect
- Adobe Premiere Pro - Project Export to DaVinci Resolve
- Adobe Premiere - Set Audio Tracks Prior to Editing
- Adobe – Premiere – Windows ProRes Exporting Workflow
- Adobe - RTF 304 - Step By Step Post Production Workflow
- COM - 317 SportsMedia - Project One Setup
- Edit 4K Natively in Premiere
- RTF 318 Student Adobe Premiere settings - Project Setup
- Adobe After Effects
- Audio-Video Post-Production
- Apple Garage Band
- Avid
- AVID 101 and 110 Instructor Media
- AVID - 2019 2020 New Interface - New Version
- AVID - 304 Additional Troubleshooting Links
- AVID - 3D - How to Export an Over/Under sequence in AVID as H264
- AVID - 3D - Ingesting Media without Metadata using XDCAM footage and AMA (Avid Media Access) : Example using TD300 camera
- AVID - Add Source Timecode Burn In to Sequence
- AVID - Add the ProRes Codec to your Macintosh
- AVID – Adobe Premiere Output to Monitor Settings CMB Undergrad Edit Lab 4.120
- AVID - AMA Explained
- AVID and Adobe Premiere - Grad Suite Audio and Video Playback Setup - How to Playback on TV's
- AVID - And Zoom Audio Devices Conflicts
- AVID - Applying Audiosuite PlugIns to Master Clips - Time Shift to Adjust Audio Speed
- AVID – Arri Alexa Camera Recording Setup and AVID Project Setup
- AVID – Audio Import Sound Mix
- AVID - Audio Plugins Workflow
- AVID - AVID Media Composer Ultimate how to Import footage
- AVID - Batch Re-Import Footage
- AVID - BlackMagic Pocket Cinema Camera Setup
- AVID - Canon 5D and 7D and 60D and 70D anything Canon DSLR - Workflow
- AVID - Canon - C100 - Quick Start Editing Workflow
- AVID - Canon – XF Utility and AVID Project workflow
- AVID – Canon XF Utility – CF Card Data Repair Workflow
- AVID - Canon – XF Utility Compact Flash Card Media Backup Workflow
- AVID Chrome Certification Test Preferences
- AVID – Cinema Tools Playback Framerate Conversion. How to playback 59.94 or 60 Frame Per Second Files at 23.98 or Slow Motion
- AVID - Copy Media Composer 101 Book Media to your hard drive
- Avid - Crashing Quitting Unexpectedly - Exception: AMPI subsystem error ErrorMessage Permission denied when launching Media Composer
- AVID - Create AVID OMID Project Using CMB 4.114 Lab Computers - Kocher
- AVID - Creating 4:3 look in a 16:9 4096 x 2160 or similar Avid Project
- AVID - Creating Subtitle Deliverables for Film Festivals and Packages
- AVID - Deck Control Keyspan 8pin mini Din to DB9 9pin male wiring diagram
- AVID - Deleting Media Databases
- AVID - Effects Nesting
- AVID - Export a .WAV audio file
- AVID- Export a AVID DNxHD 23.98 Quicktime
- AVID - Export an Apple ProRes QuickTime from AVID ProRes Sequence
- AVID - Exporting and protecting your luminance levels
- AVID - Exporting to QuickTime with 5.1
- AVID - Export timeline .AAF and Quicktime To After Effects
- AVID - Facilis Server - How to Mount a Volume for Editing
- AVID - Fast Import Apple ProRes .mov to AVID Pro Res .mxf Workflow
- AVID - File Names - How to name files and folders
- AVID - Film Scanned .dpx - How to Link and transcode .dpx files
- AVID Footage shot on Blackmagic Pocket Camera at 60 P Audio out of Sync
- AVID - Full Screen Playback on a Secondary Monitor
- AVID - How to Access The Free Student License
- AVID - How to Activate/Deactivate ScriptSync and PhraseFind
- AVID - How to Activate and Validate your account
- AVID - How to add a Watermark to Your Video Timeline
- AVID - How to adjust QuickTimes That are Exported From Davinci Resolve
- AVID - How to Batch Import Offline Audio
- AVID - How to change the aspect ratio on the entire edited timeline
- AVID - How to Check the Format of Your AVID Project
- AVID – How to covert a timeline or sequence from 23.98 to 24
- AVID - How to Create 2K and 4K Titles in Adobe Photoshop
- AVID - How to create a Freeze Frame
- AVID - How to Create a Media Composer Ultimate Project
- AVID - How to Create and Account and Redeem Software Code
- AVID - How To Create Site Settings and Copy the Settings To All Lab Seats
- AVID - How to download and create AVID "Alias" Project on a personal computer - Kocher
- AVID - How to download and create AVID Mad Men on a personal computer - Kocher
- AVID - How to download and create AVID Mad Men on a personal computer - Roldan
- AVID - How to download and create AVID Multi-Cam Project Brothers on a personal computer - A. Lewis
- AVID - How to download and create AVID OMID on a personal computer - Kocher
- AVID - How to download and create AVID Project Beauty on a personal computer - A. Lewis
- AVID - How to download and create AVID Project Tomato on a personal computer - A. Lewis
- AVID - How to download and open AVID Project Portrait of An Artist project on a personal computer - Howard
- AVID - How to download and open AVID Project Portrait of An Artist project on a personal computer - Roldan
- AVID - How to download and open Classmedia "Alias Project" on a personal computer
- AVID-How to Enable Administrator Permissions in Windows 10
- AVID – How To Export an .aaf and QuickTime export to Davinci Resolve After Relinking to 2K or 4K Native files
- AVID - How to Export an AAF and QuickTime To Davinci Resolve 1080 HD workflow
- AVID - How to Export An H.264 Quicktime - Windows Workflow
- AVID - How to export a timeline as a MXF OP1a .mxf file
- AVID - How to Export Timeline - Windows Workflow
- AVID - How to Import MXF files (originated from Panasonic HVX200_P2)
- AVID - How to load a bin file and mxf files to UTBOX
- AVID - How to Make a 2K 5.1 Surround Sound QuickTime Using Your Surround Sound Mix - Use for DCP Screening
- AVID - How to Make a 2K QuickTime Scope or Flat
- AVID - How to Make a 5.1 QuickTime Using 6 separate files Left, Right, Center, Lfe, Ls, Rs - Use for DCP Screening
- AVID - How to Manually Sync a Script without ScriptSync
- AVID - How to map buttons to keyboard and save settings
- AVID - How to open .aaf with attached media
- AVID – How To Relink to your Original Camera Footage
- AVID – How To Relink to your Original Camera Footage And Re-Transcode for Online Conform to HD or UHD or 4K
- AVID - How to Transcode Class Media Into Small Proxy Files for Working at Home
- AVID - How To Up-convert Linked Internet and Phone Footage Proxies
- AVID - How to use ScriptSync
- AVID - How to Work with Phone Footage Shot Vertically
- AVID - Importing a Photo or Still Image
- AVID - Importing a SD 4 x 3 DVD into an HD 1920 x 1080 AVID Project
- AVID - Importing or Batch Importing footage into AVID
- AVID - ISIS Client Manager Log In Workflow
- AVID - Licensing and Product Upgrades
- AVID - Locked Bins
- AVID - Macintosh and Windows - Media Composer 2020 - How to export a H264 QuickTime
- AVID - Macintosh - Or any Non Linear Application - Project Setup Workflow - Organizing Project in Finder
- AVID - Media Composer 110 Book Media Download and Project Setup
- AVID Media Composer 2020 How to Generate an EDL or Edit Decision List
- AVID Media Composer - AVID Link How to License with System ID and Activation ID
- AVID Media Composer - how to install the patch installer for Version 2020.12.1
- AVID - Media Composer - How to License the 30 day trial
- AVID Media Composer - How To Setup a Project using Canon XC15 Footage
- AVID Media Composer Ultimate - How to Setup a Project using Footage from Canon X15
- AVID - Motion Effect Change a clips playback frame rate
- AVID - NewBlue Titler Tool - How to Create SCROLLING Titles in 2K and 4K Projects
- AVID - NewBlue Titler Tool - How to Create Titles in 2K and 4K Projects
- AVID - Nexis Client Manager How To Log In and Mount The Server Volume
- AVID - Pan and Scan Effect Using the Pan and Zoom Effect
- AVID - Panasonic - CX350 - Quick Start Editing Workflow
- AVID - Panasonic - DVX 200 - Quick Start Editing Workflow
- AVID - Panasonic Lumix DC-GH5 - Quick Start Editing Workflow
- AVID - Panasonic Varicam LT 4K Recording setup and AVID 4K Project Setup
- AVID- Premiere and Davinci Resolve - Audio and Video Monitoring in CMB 1.106B Suite
- AVID- Premiere and Davinci Resolve - Audio and Video Monitoring in CMB 1.111 Only
- AVID- Premiere and Davinci Resolve - Audio and Video Monitoring in CMB 1st floor Rooms
- AVID - Prep and Export .AAF and QuickTime Movie to ProTools
- AVID - Project Setup and Workflow for AVCHD video files recorded on the Canon C100, Sony FS100 and the Panasonic HMC150
- AVID - Record Temporary Narration using the AVID Audio Punch In Tool
- AVID - Relink DaVinci Resolve Footage that Won't Relink by Changing Tape Name
- AVID – Relinking Offline Master Clips
- AVID - Renaming an AVID Project
- AVID - Retrieve files from the Avid Attic
- AVID - RODECaster Pro Playback Setup
- AVID - Searchdata Folder and How to Move it - Search Data Directory and Set the AvidBinIndexer
- AVID – Sequence Timeline High Quality Rendering Settings
- AVID - Simple Trimming, Staying in Sync, Fixing Sync, & Advanced Trim - Slip and Slide
- AVID - Slow Motion Timewarp Effect using AVID - Motion Effect for Slow Motion
- AVID - Sony A7SII or Canon C100 AVID Project Setup AVCHD Workflow
- AVID - Sony F5 Footage Project Setup and Transcoding Workflow - XAVC HD 2K Data
- AVID - Stereoscopic - How to AutoSync (Sync) 3D clips
- AVID - Stereoscopic Sequence to Davinci Resolve
- AVID - Studio 4A 3 Camera Production - Project Setup
- AVID - Surround Sound Monitoring - Grad Hallway CMB 4.112A and B
- AVID - Syncing Audio with Plural Eyes
- AVID - Syncing Audio with Plural Eyes Version 4 (in progress)
- AVID to Davinci Resolve - Relinking Red .R3d files for export to Davinci Resolve and Resolve Project Setup
- AVID - Using Audio Waveforms to Sync Double System Audio
- AVID – Vimeo Exporting Workflow
- AVID - Why to use a Script Integration Workflow
- Basic Audio Editing in Avid
- Canon C100 and Ninja 2 Setup for Recording
- CMB Grad Edit Suite how to Listen to Computer Audio IMac
- CMB - Grad Edit Suites how to listen to computer audio through speakers
- CMB - Grad Suite CMB 4.112H HD, 2K, and 4K Audio and Video Playback Setup Using Blackmagic Design and the Artist DNxIO
- Davinci Resolve, Premiere and AVID – BlackMagic Output to LG OLED Monitor Settings
- Davinci Resolve Export .aaf to AVID - Color Correction Round Trip opening Color Corrected Files into AVID Workflow
- Facilis Server - How to Mount a Volume for Editing
- Media Composer
- AVID - AAF and QuickTime Export for After Effects
- AVID - Audio Mixdown - Use This Workflow When Having Trouble Exporting
- AVID - Audio Output Tool
- AVID - Audio Troubleshooting Can't Hear Audio Playback CMB 4.112 and CMB 4.120
- AVID - Automatic Color Correction
- AVID - Captions - How to Export Out of SubCap Tool
- AVID - Consolidate
- AVID - Decompose Tool
- AVID - Display Error
- AVID - Easy Image Resizing also called Pan and Scan Effect
- AVID - EQ Audio Using AVID Audio Suite EQ Plugins
- AVID - Export an Apple ProRes Quicktime - Use this Workflow for End of Semester Screenings
- AVID - Export a Native Quicktime
- AVID - How to Copy Project files and Media from Classmedia Volume to Hard Drive
- AVID - How to Disable Phonetic Indexing
- AVID – How To Export an .aaf and QuickTime export to Davinci Resolve After Relinking to 2K or 4K Camera Originals
- AVID - How to Import Audio Files Into AVID Project
- AVID - How to Import Captioning Text and Use the Subcap Tool
- AVID - How to Make a 1080 5.1 Surround Sound QuickTime Using Your Interleaved Surround Sound Mix
- AVID - How to Make a 1080 Surround Sound QuickTime Using Your Interleaved Surround Sound Mix
- AVID - How to Make a Sub Clip
- AVID - How to Online, Relink, Upconverted Files Shot at a Different Frame Rate than the Project Frame Rate
- AVID - How to Relink Matching Imported Clips from Another Project That Were Imported
- AVID - How to use the Mixer tool and Keyframes
- AVID - Keyframing Audio Volume in AVID
- AVID Media Composer 101 and 110 2021 updated addenda
- AVID - Media Composer 101 Book Media Download From EditStock Website
- AVID Media Composer First
- AVID Media Composer - Frame Flex - Spacial or Green Dot Fix
- AVID Media Composer - How to Remove a Automatically Applied LUT or Look Up Table
- AVID - Media Composer Ultimate - Licensing Cleanout
- AVID - Media Creation Tool
- AVID - Multicam Project workflow - How to Setup AVID to use Multicamera Mode Editing Workflow
- AVID - RED Linking and Transcoding workflow for Creating Offline Edit Project
- AVID - Syncing Video and Audio using Mark In Points and AutoSync
- AVID - Syncing Video and Audio With Matching Timecode
- Titler +
- Plural Eyes version 3 - AVID Round Trip Sync Workflow - This doesn't work with Plural Eyes Version 4!!!
- Pro Tools
- How to measure Audio Visual Sync offset
- How to turn on the Crestron Surround Sound for a ProTools Mix CMB 4.122 4C
- Mixing Prep for ProTools Mix - Audio Mixing Preparation and Information
- Pro Tools – 1.106B Sound Booth Recording Workflow
- Pro Tools - Adding and Using Reverb
- Pro Tools - ASIO Driver Install For Windows ProTools Computers PC
- Pro Tools - Audio Monitoring Setup in CMB 4.120 Undergrad Edit Lab
- Pro Tools - Audio Record Volume Error Fix
- Pro Tools - AVID - How to Connect the AVID Artist Interface
- Pro Tools - Basic editing with ProTools07
- Pro Tools - Bounce an Audio File in ProTools
- Pro Tools - Change sample rate
- Pro Tools - Client Seat Stereo Setup ProTools 2018
- Pro Tools - CMB 1st Floor Edit Suites How to set up Monitoring and Video playback
- Pro Tools - CMB 1st Floor Edit Suites How to set up Monitoring and Video playback 1.106A
- Pro Tools - Create 5.1 Surround interleaved wave audio file from mono files in ProTools
- Pro Tools - Creating a Click Track or Also called beeps and countdown to recording
- Pro Tools - Crestron HDMI Audio Playback Setup For Teaching Stations
- Pro Tools Error - Could not create the TCE plug-in's factory default file because the plug-in doesn't support the current sample rate.
- Pro Tools - Export .omf and AVID - Importing ProTools OMF files
- Pro Tools - Final Film Mixes Calendar
- Pro Tools - Focusrite RED4Pre Surround Sound setup
- Pro Tools - Focusrite RED4Pre Surround Sound setup CMB 4.112A and CMB 4.112B
- Pro Tools - Focusrite RED4Pre Surround Sound setup CMB 4.122 Studio 4C
- Pro Tools - Getting Started in PT LE
- Pro Tools - HDMI 5.1 Surround setup Crestron Studios and Classrooms
- Pro Tools – HD Suites Surround 5.1 Session Guide with the S3 Console & the PT Control Dock
- Pro Tools - How to Activate
- Pro Tools - How to Create and Account and Redeem Software Code
- Pro Tools - How to Create a Test Tone
- Pro Tools - How to Enable the S3 in Pro Tools Ultimate
- ProTools - How to get an IMovie or Final Cut Pro Project to Protools using Resolve
- Pro Tools - How to License the 30 day trial
- Pro Tools - How to PullUp or PullDown audio files captured with a hard disk recorder
- Pro Tools - How to Record Foley and or ADR in CMB 2.124 A/B
- Pro Tools - How to Record Foley Sound or ADR "Automated" Dialog Replacement in CMB 4.112 A and B
- Pro Tools - How to Record Foley Sound or ADR "Automated" Dialog Replacement in CMB 4.122
- Pro Tools - How to Record Sound or ADR "Automated" Dialog Replacement or Voice Over in CMB 1.106B
- Pro Tools - How to Remove "RUMBLE" from CMB 1.106B Isolation booth recordings
- Pro Tools - How to Route Track Outputs
- Pro Tools - How to Save Session as Copy by Consolidating Files
- Pro Tools - How to Setup 881KB Mixes in Studios
- Pro Tools - How to setup the Mac Computer Desktop for Audio Monitoring
- ProTools - How to Setup the Mixing Stations and Test Calibration Pink Noise Session
- Pro Tools - How to use a Zoom H4 Audio Recorder as a Microphone input
- Pro Tools - Izotope How to Authorize Izotope to Personal Computer
- Pro Tools - IZotope How to Load Plugin Presets
- Pro Tools - Izotope RX8 How to Authorize Izotope to Personal Computer
- Pro Tools - Microphone Setup Neumann U87, TLM 103 and Audio Technica 4050 or 4033
- Pro Tools - Open a .aaf or .omf and Quicktime in ProTools
- Pro Tools - Preparing Project for Audio Mixing
- Pro Tools - Printmaster workflow
- Pro Tools - Pull Down Audio Files captures with a hard disk recorder
- Pro Tools - Pull Down Audio Files Capture with Hard Disk Recorder
- Pro Tools – Recording Workflow CMB 1st Floor
- Pro Tools - Relinking Audio Files in ProTools
- Pro Tools - RODECaster Pro Audio Recording Workflow
- Pro Tools - Save Session as a Copy
- Pro Tools - Searching for Sound Effects Workflow
- Pro Tools - Session with Machine Control
- Pro Tools - Setup for Sound Check Session
- Pro Tools - Shortcuts to Know
- Pro Tools Suite 1.106B - Nagra Set Up
- Pro Tools - SurCode Readme - How to use Plugin
- Pro Tools - Surround Sound setup CMB 4.112A and CMB 4.112B
- Pro Tools - Surround Sound setup CMB Studio 4C CMB 4.122
- ProTools - Surround Suite Playback Test - Prepare For Surround Re-Recording Session
- ProTools - Video and Audio Monitoring Setup in CMB Grad Suite Edit Labs -
- Pro Tools - What is EQ/Compression/Etc Effects Walkthrough
- ProTools - What the other buttons do in the volume control in 5 CMB 1.122
- Pro Tools won't Open - Fix is to Hold Down the "N" Key
- Sound Effects - How to Access Free Sound FX
- SurCode Plugin Printmaster Workflow Using ProTools 4 CMB4.108A and ProTools 5 CMB 4.122
- RTF 304 - Post Production Workflow - Adobe Premiere, AVID Media Composer First and Ultimate Versions
- AVID - Bin Sharing on Non Avid Storage - Can Not See Bin locking status "Green Lock in Bins"
- Blackmagic Davinci Resolve
- Blackmagic Davinci Resolve - How to Export an .XML to Roundtrip back to Adobe Premiere
- BlackMagic Davinci Resolve - How to Export a Surround Sound File Use This for End of Semester Screenings
- Blackmagic Davinci Resolve STUDIO - How to Make a DCP
- DaVinci Resolve "Studio Only" - Auto Caption and Subtitle Workflow
- Davinci Resolve - Export ProRes Uncompressed Files for Color Correction
- Davinci Resolve - Final Conform and Color Correction Project Setup - Import .aaf or .xml and Quicktime
- Davinci Resolve - Framerate Playback Conversion (60fps to 23.98fps) (Slow Motion)
- DaVinci Resolve - How to apply Face Refinement (Studio Only)
- Davinci Resolve - How To Auto Sync Audio From Double System Recordings
- DaVinci Resolve - How to Composite and or "Key" Visual Effects
- DaVinci Resolve - How to Create Scroll Credits
- DaVinci Resolve - How to Fix a Resolve Project that Won't Round-Trip Back Into AVID
- DaVinci Resolve - How to Flip, Flop or Transform an Image
- Davinci Resolve - How to get an IMovie or Final Cut Pro Project to Protools using Resolve
- Davinci Resolve - How to Import Audio From your Sound Mix
- Davinci Resolve - How to Import Surround Sound Mix and Export Surround File
- Davinci Resolve - How to Make a DCP Using the Beta Version 15 of Blackmagic Davinci Resolve
- DaVinci Resolve - How to Relink Offline Media from a Exported Project
- Davinci Resolve - How To Use the Digital Noise Reduction Workflow
- Davinci Resolve - Media Manage Timeline - Trimmed Export Workflow
- DaVinci Resolve - Prep and Export .AAF and QuickTime Movie to ProTools
- Davinci Resolve Project Setup - Creating Proxies
- Davinci Resolve – Quicktime Reference Import and Setup
- Davinci Resolve - Roundtrip back into Resolve after editing in AVID
- Davinci Resolve - Self Contained QuickTime .h264 Export
- Davinci Resolve - Self Contained QuickTime ProRes Export
- Davinci Resolve - Surround Sound Audio Import and Export
- Davinci Resolve - Surround Sound Output Settings
- Davinci Resolve - Surround Sound Video and Audio Output Settings - Focusrite - RED 4 Pre
- DaVinci Resolve to AVID - How to make AVID Project and .mxf MediaFiles
- Easy DCP - How to Change the Name of the DCP
- Easy DCP Player - How to Add Open or Closed Captions and Play a DCP
- RODECaster - and Davinci Resolve - Fairlight audio recording workflow
- RODECaster - and Davinci Resolve - Fairlight audio recording workflow (Multichannel)
- Captioning Workflows
- Cinematools - Cinema Tools 59.94 to 23.98 Slo - Motion Conform
- Cinema Tools PAL AND NTSC Frame Rate Conversions
- CMB 4.120 - How to check Operation Hours on LG OLED 4K monitors
- Common Video Resolutions
- Compressor
- Converting .wma files to .wav files with Soundtrack Pro
- Digital Cinema Package
- DVD Studio Pro
- DVD Studio Pro - Author a DVD
- DVD Studio Pro - Author a DVD in DVD Studio Pro
- DVD Studio Pro - Authoring a 5.1 DVD with Surround Sound
- DVD Studio Pro - DVD Duplication with DVD Studio
- DVD Studio Pro - Exporting an 8-bit File for DVD studio
- DVD Studio Pro - How to Change Button Styles
- DVD Studio Pro - How to Make a Compilation DVD with Play All
- DVD Studio Pro - Make a 4x3 SD DVD
- DVD Studio Pro - Make a simple DVD
- DVD Studio Pro - Making a DVD
- DVD Studio Pro - Photoshop Layer Menu Workflow
- Final Cut Pro X - How to Make a Surround Sound Blu-Ray Disc
- iDVD Intro
- iTunes
- Maya - Rendering Using Multiple Computers
- Organizing Audio Tracks for A Sound Mix -
- Post-Production
- Closed Caption Creation Using Professional Services.
- Digital Video
- Blackmagic – Teranex – How to Capture 29.97 HDV or DV tape and Upconvert to 1080 23.98 Frame Rate Conversion and Upconvert Standards Conversion
- Blackmagic – Teranex – Room CMA 4.138 - How to Capture 29.97 VHS, Hi8 or Umatic tape and Upconvert to 1080 23.98 Frame Rate Conversion and Upconvert Standards Conversion
- Blackmagic – Teranex – Room CMA 4.138 - How to Capture Beta SP or DigiBeta Sp and Upconvert to 1080 23.98
- Calibrating Your Broadcast Monitor
- Compress and upload a ProRes file to Vimeo
- DCP-o-matic - Make a DCP
- DV and Audio Storage Requirements
- EASY DCP and FCP7 - How to Make a 2K DCP or Digital Cinema Package
- How to connect to the temptransfer server in Ubuntu OS
- Linux - Format a Hard Drive in Ubuntu - Use Grad Suite G CMB 4.112
- OBS - Open Broadcaster Software - how to capture a BluRay or DVD Disk in the Digital Media Labs using the Teranex
- Upload a .h264 video to Vimeo
- Upload a video to Vimeo
- How to Upload Files for RTF to Captioning and Transcription Services
- iMovie - Exporting an Mpeg-4 Project File out of IMOVIE
- Logic Pro - Logic Audio Monitoring
- Media Duplication
- MPEG Streamclip - DVD to QuickTime
- QuickTime MP4 with H264 Codec Compression - Use this Workflow to make a .mp4 not a .mv4 like Adobe Makes using a similar workflow
- Vignetting
- YouTube - Closed Captioning Workflow
- Post Production Workflow - Adobe Premiere, AVID Media Composer First and Ultimate Versions
- QuickTime and QuickTime 7 Pro
- RACK ROOM PATCHING FROM GRAD SUITES
- Recommended Compact Flash and SD card Readers
- Recommended Hard Drives for Non-Linear Editing
- Screening Deliverables - RTF End of Semester Screenings Preparation Workflows - This wiki will explain how to prep and export a STEREO HD file.
- Steps to Backing Up or Consolidating Media
- AutoDesk - Maya
- Backup Service
- Blackmagic Design Web Presenter - OBS and Streaming Workflow
- BYOD Wireless Presentation
- BYOD Instructions for DMC 3.208
- CMB 3102Q - How to Display / Share Your Laptop or Phone on the Projection Screen
- Connecting Android Devices
- Connecting iOS Devices
- Connecting Mac Computers
- Connecting Windows Computers
- How to Display Mac Computers Wirelessly in CMB 3.102
- How to Display Windows Computers Wirelessly in CMB 3.102
- How To Use Barco Clickshare Wireless Presentation
- Macintosh Teaching Stations - How to Enable Presenter Notes using the AirPlay Wireless Presentation System
- Camera Platforms
- A7Sii Workflows
- AVID - Sony A7S II - Post-Production Workflow - Using Ninja Flame Recorded ProRes 4K Files
- Overcrank, Transcode with After Effects, edit with Avid
- Shoot in HD and work in Avid/Premiere in HD
- Sony A7S II - CAMERA SETUP
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