Cataloguing Requirements
The BMA core cataloguing fields for objects are as follows:
All items below not specified as a registrar managed field are the responsibility of the curator submitting or overseeing the acquisition of a new object into the Permanent Collection. Follow links in the table to more detailed instructions for these fields.
Field | Notes |
|---|---|
A registrar assigns a temporary number prior to importing into TMSC, a permanent number is then created by registrar after acquisition is complete. | |
Acquisition justification | Write a brief justification for every new proposed acquisition. If the justification applies to a group of objects, contact TMSC admin for help with a batch entry. |
Artist | Search for existing constituent record in TMS-C, add BEFORE submitting new object templates to the registrar, use Primary as role for maker. |
Enter an ISO start date, ISO end date, and a display date. The display date should follow style-guide formats. | |
Capitalize first letter. | |
Provide any available dimensions in the import template. The registrar must break it out into individual elements in the dimensions table, a registrar will confirm or measure objects when it arrives. | |
Choose from picklist. Do not use any "archival" types for artworks in Permanent Collection. | |
Designates collection area of Permanent Collection, can have multiple classifications. Prints and Drawings should always be listed first when applicable. | |
Enter both artist's nationality and place made in the Object Geography hierarchy. This is in addition to nationality and other fields in the artist’s constituent record. | |
Work on Paper? | Mark as true or false. |
Only required for editioned works, typically prints. | |
Note the location and transcribe the artist signature. No entry required if there is no signature. | |
Link all persons related to acquisition of artwork. Gifts of art require donors, gifts of funds for purchases require funders, source describes collector or institution (if other than donor) with last custody of artwork prior to BMA ownership. | |
Link previous owners as Provenance related constituents, even where redundant with above constituents, include dates of ownership when possible. | |
If no appraisal or market value is available, an estimate must by provided by a curator. |
Core biographical fields for Artists
All fields are the responsibility of curator submitting or overseeing the acquisition of works by new artists to the Permanent Collection.
Field | Notes |
|---|---|
Constituent Type | individual, institution, collaborators |
First Name |
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Last Name |
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Display Name | This auto-populates from the First and Last Name fields, but you must select and confirm. Update it after any changes to those fields. |
Sort Name | Also auto-populates from First and Last Name fields, but you must select and confirm. Update it after any changes to those fields. |
birth year | |
death year | |
Birthplace, Birth year–Place of death, death year | |
General biographical information and summary of career, there is no standard format, this is for internal justifications and reference only. | |
Generally assigned by birthplace, multiple nationalities can be listed for artists who permanently settle in other nations. | |
internal statistical field | |
internal statistical field | |
Texas artist? | true or false, affiliation with Texas |
UT faculty, etc? | true or false, affiliation with University of Texas at Austin |
Collection artist? | true or false, helps to filter artists related to collection only and excluded artists related to loans and exhibitions |
Required Acquisition Fields (Registrar)
Field | Notes |
|---|---|
credit line as approved or updated by donor or development | |
legal status of custodianship or ownership by BMA | |
method of acquisition, gift, purchase, etc. | |
approval date of Acquisition Review Committee meeting | |
date received onsite by BMA | |
date of signature by executive director | |
date of signature by donor, date of purchase voucher |